#I should say rewatch

[dykemarcille]

watching leverage with my mom and it's really like. damn this show is so good. i miss procedurals. nothing like an episode of the week format and some deeply closeted bisexual characters.

[sweattyspaghetti]

Edit: Tyler with celestia tee existed. Same brain. Same brain..

Hello fight club fandom. It is absolutely abysmal and also a crime how no one (at least to my knowledge) has drawn Tyler Durden in the princess celestia t shirt. We missed out

I have brainstormed multiple fc drawing ideas and hope that they become real.

[langernameohnebedeutung]

gonna say, something or someone being misogynistic is on its own a good enough reason not to like it or not to spend time with that person. It's not just that misogyny is so normalised that not watching a show or not spending with someone just because of misogyny is treated as not enough of a reason - it's also that as a woman, you are under constant scrutiny and constantly thrown tests to show that you are 'not one of the difficult ones', that you can 'take a joke'.

But 'your friend keeps saying degrading things about women' is a good enough reason not to hang out with that person or not to go to a gathering. 'i read the last book by his author and it was deeply misogynistic' is a good enough reason why you don't want to read things by that author anymore. 'This comedian specifically makes a lot of mean-spirited jokes about women' reason enogh not to watch that or see that show, even if your friends want to go. 'This content creator keeps going on weird tangents about women' reason enough not to watch their stuff or support them.

and it is especially a very good reason not to date someone.

[moongothic]

Madoka is the promise you won't turn from a child, full of hopes and dreams and the wish to save the world, into a bitter adult who just wants to hurt others and ruin people's lives

Madoka promised to be there for you to remind you of the person you wanted to be and to stop you from becoming what you sought to destroy

Madoka made that promise and became the very embodiment of it

[brotherdusk]

obsessed with them both.

[skrunksthatwunk]

thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.

[catocappuccino]

Her favourite colour is yello w

[xxplastic-cubexx]

was watching apocalypse with my brother and once the cerebro scene popped up he was like 'charles has a helmet like erik, only instead of keeping people out, he tries to reach out and connect with others' like guys i need to bash him with a rock

[asteralley]

thinking a bit too much about this

[funsizedshark]

BE CAREFUL, INSPECTOR HAN.

THERE ARE NO SECRETS AROUND HERE.

[seagreenstardust]

There certainly is something about Izuku’s feelings for Katsuki triggering the manifestation of a new quirk that is directly tied to his own emotions and that he has absolutely zero control over, and Ochako being unable to help him control it or break out of it

I mean if we’re talking symbolism, if we’re talking metaphors here, there’s only one way that story ends right???

[kittycatcorner]

you guys can't even conceive of the DBD silliness in my head rn

[monstermoviedean]

so chuck's original ending was low-jeopardy, uninspired, lacking cas. but because becky "gave notes," chuck wrote a new, worse ending out of spite. "awful, horrible, hopeless." then he killed becky's family in front of her and then he killed her too.

i generally do not believe the people who worked on spn had active contempt for the fans. but it's hard not to take this personally, especially given 15x20.

[c-kiddo]

yea the scene when cad greater restorations the orb out of fjord is still unspeakably cool to me. its so ghibli , like so fantastical anyway but then cad reaches his hand out to fjord and lichen starts growing from his fingertips. their hair is swirling about in the storm, they both fall onto their knees in a weird writhing painful trance . and then fjord coughs up gallons and gallons of seawater and a big heavy rolling crystal . the whole thing is animated like a ghibli movie to me. like them gathering the orb up in cloth(?) so no one touches it is so chihiro chasing that little slug zeneba cursed or something, to me .

[teamcavota]

i know lots of people have waxed poetics about the line and I'll make it clear I wont be saying much that hasn't been said before right now but

i just fucking love the line, "you're Cavendish, waddya gonna do?" it isn't just about the central thing behind the line which is that Dakota could not imagine taking any other actions than he has because Cavendish just means that much to him, but also because the line could have been "you're my partner/best friend, so waddya gonna do?" and purely highlighted the relationship aspect. however, with the line in the show there's an aspect of Dakota saying that if the world knew Cavendish like he did they'd all agree too ("he's Cavendish, waddya gonna do.") that Cavendish absolutely being worthy of what Dakota has done for him is as "objective" as the sky being blue.